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When we’re shooting a movie, we understand why the image needs to be in focus: so the audience can best see the subject. The same thought can apply to the screenplay of the story that is being shot. Back when I was managing, I would sometimes run into writers who would claim they were completely unable to synopsize their scripts in any way. I’d ask for a logline, and they would tell me they just don’t think that way, man. The script is too involved and sprawling and intricate to boil it down to a single sentence! Writers who think...

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