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Like many industries, film (and scripts by extension) runs on cycles, which in turn are often defined by buzzwords. The current buzzword we often hear is “subversion.” As in: “We’re looking for scripts that subvert the paradigm.” Or: “We’re looking for projects that feel subversive.” We might naturally ask what is meant by “subversive.” But it’s kind of like “high concept” or “elevated” in that it’s less of a concept that adheres to a hard and fast definition than a you-know-it-when-you-see-it sorta deal. However, we can discuss “subversion” as a shorthand for the idea of subverting expectations. The latter concept...

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