Paradigm RSS

BARBARIAN, elevated, FROM DUSK TILL DAWN, high concept, JOKER, paradigm, subversion, THE LAST JEDI -

Like many industries, film (and scripts by extension) runs on cycles, which in turn are often defined by buzzwords. The current buzzword we often hear is “subversion.” As in: “We’re looking for scripts that subvert the paradigm.” Or: “We’re looking for projects that feel subversive.” We might naturally ask what is meant by “subversive.” But it’s kind of like “high concept” or “elevated” in that it’s less of a concept that adheres to a hard and fast definition than a you-know-it-when-you-see-it sorta deal. However, we can discuss “subversion” as a shorthand for the idea of subverting expectations. The latter concept...

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"Die Hard in a..." thrillers, "Sad Man movies", Boss Level, Dan in Real Life, Die Hard, Everything Must Go, Good Will Hunting, Ground Hog's Day, Happy Death Day, Man Weepie, North by Northwest, On-the-Run thrillers, Paradigm, Source Code, The 39 Steps, The Fugitive, The Judge, The Upside, The Weatherman -

In previous articles we talked about Genre and Sub-Genre. Now let’s get a little more specific and discuss Paradigm. Like genre, a project’s paradigm is an effort to figure out the “what this is” of the story/movie. However, paradigm touches on whether or not a project fits with a common type of set-ups within a genre. Note that the paradigm can refer to the project’s creative side, the commercial side, or both. For example, thrillers are a genre. But among thrillers, there are movies that might be called “On-the-Run” thrillers. That is, a thriller in which our protagonist is hunted...

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