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ACE VENTURA, establish the problem, first ten pages, INDIANA JONES, Introducing the lead, JAMES BOND, JOHN WICK, statement of intention, THE MATRIX -

The first ten pages are the most important because they often determine if anything from page 11 on will be read. It’s a common wisdom among reps and producers that name talent (i.e. movie stars) rarely read past the first-10 if they don’t see their character, and/or if the character doesn’t grab them as interesting. Given that financing is frequently contingent on attaching name talent to the leads, those first ten pages – and how well they can introduce the lead characters – can literally determine if the movie gets made or not. The second key thing the first-10 needs...

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epic, fantasy, GAME OF THRONES, HARRY POTTER, HUNGER GAMES, INDIANA JONES, LOTR, NARNIA, saga, sci-fi, THE GODFATHER, THE HOBBIT, THE MATRIX, world-building -

My wife and I recently went back and watched the Lord of The Rings movies, and on my own I went back and watched The Hobbit(s) once we had finished the original trilogy (remember Hobbit was made after LOTR). It made me hyper aware of the epic scope that all Saga’s embody, and how powerful the world-building in those stories are. Other examples include: The Matrix, The Hunger Games, Game of Thrones, Star Wars, The Godfather, Harry Potter, Narnia, Indiana Jones, and Pirates of the Caribbean… In this article, I want to breakdown what those movies have in common, what...

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