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BACK TO THE FUTURE, big idea, BRIDESMADS, CANDYMAN, genre, GREEN ROOM, HALLOWEEN, JOHN WICK, PARANORMAL ACTIVITY, SAW, sub-genre, TAKEN, THE 40-YEAR-OLD VIRGIN, THE MATRIX, title - March 09, 2022

ON TITLES

The title is vital. It is the first point of contact between the script and the reader, and between the movie and the audience. When the audience comes to the theater and they look at the one-sheets and the marquee, the title is both the hook and the handle by which they shall make their ultimate decision: Which of these movies will they see? So let’s talk about titles. A good title accomplishes several tasks within just a word or few. The first task is to reflect the genre. We want to tell the audience what kind of experience they...

Dead Genres and How To Revive Them: The Serial Killer Thriller

There’s a truism in Hollywood that certain genres are dead. In this 4-part series of blog posts, we’re going to look at these genres Hollywood wisdom says are dead, why their death is the prevalent theory, and what it may take for any writer to revive them with their own script. Fourth up is the serial killer thriller, which was a mainstay in years past but has now migrated to television (perhaps most notably in the first season of TRUE DETECTIVE). As a sign of how far this once-mighty genre has fallen, per BoxOfficeMojo, there were ZERO serial killer thriller...

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