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action, comedy, genre, horror, subgenres, thriller -

First as a development executive, and then as a manager, it was my job to find, develop, and shop screenplays. In the course of those experiences, it swiftly became apparent that the scripts that had the easiest time getting traction were those that were driven by a big, clear genre, and were just as clearly working to deliver the goods of that genre. Simply put, a comedy should be funny, a horror project should be scary, a thriller thrilling, an action script needs action, and so on. For example, if a script is intended to be shopped as a comedy,...

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action, Combining genres, dramedy, horror, HOT FUZZ, KNIVES OUT, THE GREAT, THE SIXTH SENSE, thriller -

In this article, I want to talk about genre. I believe it’s commonly overlooked by new writers and often leads to scripts that aren’t commercially viable, and even if they have a strong concept or story, they aren’t executed in a way that makes it easy to sell, or even digest as a reader. Moreover, new writers tend to write scripts that combine genres in a way that makes their story miss both. Combing genres is VERY HARD TO DO, but we will also look at examples of how they are done well. To start, does your script easily fit...

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